At Swim, Two Boys
And yet the future is rosy, Jim's father is sure. His elder son is away fighting the Hun for God and the British Army, and he has such plans for Jim and their corner shop empire. But Mr. Mack cannot see that the landscape is changing, nor does he realize the depth of Jim's burgeoning friendship with Doyler. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the scandalous nude, the two boys meet day after day. There they make a pact: Doyler will teach Jim to swim, and in a year, Easter 1916, they will swim the bay to the distant beacon of Muglins Rock and claim that island for themselves.
Ten years in the writing, At Swim, Two Boys has already caused a sensation in England and Ireland, earning lavish praise for its masterful portrayal of class, tradition, and the conflict that has haunted Ireland for centuries. Jamie O'Neill's poetic and evocative storytelling makes him a natural successor to James Joyce and Flann O'Brien.
At its heart, At Swim, Two Boys is a tender and tragic love story that will resonate with all readers. But it is also a compelling and important work, a novel about people caught up in the tide of history -- set in a place and culture both unfamiliar and unforgettable.
Read an Excerpt
At the corner of Adelaide Road, where the paving sparkled in the morning sun, Mr. Mack waited by the newspaper stand. A grand day it was, rare and fine. Puff-clouds sailed through a sky of blue. Fair-weather cumulus to give the correct designation: on account they cumulate, so Mr. Mack believed. High above the houses a seagull glinted, gliding on a breeze that carried from the sea. Wait now, was it cumulate or accumulate he meant? The breeze sniffed of salt and tide. Make a donkey of yourself, inwardly he cautioned, using words you don't know their meaning. And where's this paper chappie after getting to?
In delicate... see more
Reading Group Guide
READING GROUP GUIDE
At Swim, Two Boys
1. The Irish have long been a storytelling people, and Jamie O'Neill is certainly no exception. He brings to life the Irish struggle for independence with an intensity and an honesty that is staggering. In what ways do you find O'Neill's writing to be reminiscent of that of other great Irish authors, both contemporary and classic? What techniques may O'Neill have borrowed from authors such as James Joyce, Flann O'Brien, Oscar Wilde, and even Frank McCourt?
2. Language, both in the narrative and, especially, in the dialogue between characters, makes this a rich and sometimes challenging read, but it also pulls us into the world of Ireland in a way that nothing else could. Why is language so significant in this novel? Discuss the ways that O'Neill wields words to shed light on individual characters and to illuminate the underlying forces that shape the tumultuous Ireland of the early 1900s.
3. Focusing on Aunt Eva, Aunt Sawney, Nancy, and even MacMurrough's Nanny Tremble, look at the different things women stand for in this novel. In what ways do their representational roles -- as church, as Ireland, as universal mother -- clash? Do they ever exist outside of these compartmentalized spheres? Also, does the novel suggest that women are above the weakness of the flesh, or that they are saintly beings? Is the author toying with the ideal of the Christian woman (holy and untawdri see more