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The Bone Vault

The Bone Vault

  • reading group guide
In the Metropolitan Museum of Art's exquisite Temple of Dendur, a monument to an ancient world, a very modern debate is raging at a gala dinner: a controversial new exhibit is fiercely opposed by many among the upper echelon of museum donors. Alex Cooper steps into this highly charged ring of power players only to make a much more troubling discovery: a young museum researcher has been murdered, her body shipped to the Met in an ancient Egyptian sarcophagus. Together with cops Mike Chapman and Mercer Wallace, Alex must penetrate the realm of the city's cultural elite to find a killer intent on keeping some secrets buried for eternity.
  • Gallery Books | 
  • 528 pages | 
  • ISBN 9781476727011 | 
  • October 2012
List Price $30.99
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Read an Excerpt

Chapter One

I spent a long afternoon at the morgue. I had left my desk at the Manhattan district attorney's office shortly after lunch to review autopsy results on a new case with the deputy chief medical examiner. A nineteen-year-old, dressed in an outfit she had bought just hours earlier, was killed outside a social club as she waited on a street corner for her friends.

Now I walked a quiet corridor, again surrounded by death. I did not want to be here. I paused at the entrance of an ancient tomb, its painted limestone facade concealing the false doorway to an underground burial chamber. The faded reliefs that decorated its walls... see more

Reading Group Guide

1. THE BONE VAULT opens with Alexandra Cooper returning from the morgue and closes with her discovering a controversial collection of bones deep in the Museum of Natural History. How are these two outwardly dissimilar bone vaults linked thematically?
2. The investigation into Katrina Grooten's murder takes Alex through the Metropolitan Museum of Art, the Cloisters, and the Natural History museum. What do these museums have in common, and how is each distinct?
3. Alex says that she feels fortunate that her boyfriend Jake Tyler's unpredictable schedule helps him understand the demands of her own profession. But what are the drawbacks to this type of relationship? Do her concerns that Jake is leaking information about her cases point to larger issues between them?
4. Do you think that Alex made the right call in taking a tough stand with Angel Alfieri? What kind of person does it take to be able to make those kinds of judgment calls every day?
5. What are Alex and Mike Chapman's favorite rooms of the Met, and what do their choices tell us about them?
6. Alex's stalker, Shirley Danzig, has followed her from THE DEAD HOUSE to this novel. What does Shirley's presence add to this story? Why do you think that Alex waited so long to tell Chapman that Shirley was back in her life?
7. Alex wants to know as many personal details as possible about the victims she encounters, while Chapman doesn't want to know the deceased any better than the facts force him t see more

About the Author

Linda Fairstein
Photo Credit:

Linda Fairstein

LINDA FAIRSTEIN, America's foremost legal expert on crimes of sexual assault and domestic violence, led the Sex Crimes Unit of the District Attorney's Office in Manhattan for twenty-five years. A Fellow of the American College of Trial Lawyers, she is a graduate of Vassar College and the University of Virginia School of Law. Her first novel, Final Jeopardy, introduced the critically acclaimed character of Alexandra Cooper and was made into an ABC Movie of the Week starring Dana Delaney. The celebrated series has gone on to include the New York Times bestsellers Likely to Die, Cold Hit, The Deadhouse (winner of the Nero Wolfe Award for Best Crime Novel of 2001, and chosen as a "Best Book of 2001" by both The Washington Post and the Los Angeles Times), The Bone Vault, The Kills, Entombed, Death Dance, and Bad Blood. Her novels have been translated into more than a dozen languages. Her nonfiction book, Sexual Violence, was a New York Times Notable Book of the Year. She lives with her husband in Manhattan and on Martha's Vineyard.

Visit her website at www.lindafairstein.com.

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