Eilis Lacey has come of age in small-town Ireland in the years following World War Two. Though skilled at bookkeeping, Eilis cannot find a proper job in the miserable Irish economy.
When an Irish priest from Brooklyn visits the household and offers to sponsor Eilis in America—to live and work in a Brooklyn neighborhood "just like Ireland"—she realizes she must go, leaving her fragile mother and sister behind.
Eilis finds work in a department store on Fulton Street, and studies accounting at Brooklyn College, and, when she least expects it, finds love. Tony, a blond Italian, slowly wins her over with persistent charm. He takes Eilis to Coney Island and Ebbets Field, and home to dinner in the two-room apartment he shares with his brothers and parents. Eilis is in love. But just as she begins to consider what this means, devastating news from Ireland threatens the promise of her new life.
With the emotional resonance of Alice McDermott’s At Weddings and Wakes, Brooklyn is by far Tóibín’s most inviting, engaging novel.
'Brooklyn' movie trailer
Reading Group Guide
“One of the most unforgettable characters in contemporary literature,” (Pittsburgh Post-Gazette), Eilis Lacey has come of age in Enniscorthy, Ireland, in the hard years following World War Two. When an Irish priest from Brooklyn offers to sponsor Eilis in America, she decides she must go, leaving her fragile mother and her charismatic sister behind. Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, who loves the Dodgers and his big Italian family, slowly wins her over with patient charm. But just as Eilis begins to establish her life in Brooklyn, devastating news from Ireland brings her back to Enniscorthy. Eilis is forced to choose between America and Ireland--and two men who embody these places--in the midst of the sweeping economic and social changes of the 1950s.
Questions for Discussion
1. Before she goes to America, Eilis believes that, “While people from the town who lived in England missed Enniscorthy, no one see more