On His Brothers and Brothers in History
Colt believes he would be a different man had he not grown up in a family of four brothers. He movingly recounts the adoration, envy, affection, resentment, and compassion in their shifting relationships from childhood through middle age, also rendering a volatile decade in American life: the 1960s. Some of the Colt men now have children; all have found their own paths; all now consider their brothers to be their closest friends.
In alternate chapters, Colt parallels his quest to understand how his own brothers shaped his life with an examination of the rich and complex relationships between iconic brothers in history. He explores how Edwin Booth grew up to become the greatest actor on the nineteenth-century American stage while his younger brother John grew up to assassinate a president. How Will Kellogg worked for his overbearing older brother John Harvey as a subservient yes-man for two decades until he finally broke free and launched the cereal empire that outlasted all his brother’s enterprises. How Vincent van Gogh would never have survived without the financial and emotional support of his younger brother, Theo, in a claustrophobic relationship that both defined and confined them. How Henry David Thoreau’s life was shadowed by the early death of his older brother, John, who haunted and inspired his writing. And how the Marx Brothers collaborated on the screen but competed offstage for women, money, and fame.
Illuminating and affecting, this book will be revelatory for any parent of sons, any sibling, anyone curious about how a man’s life can be molded by his brothers. Colt’s magnificent book is a testament to the abiding power of fraternal love.
Read an Excerpt
The Colt Boys
If the handful of black-and-white snapshots that remain from my childhood is any indication, it’s a wonder I didn’t end up with a permanent crick in my neck from literally and figuratively looking up to my older brother. Harry was born twenty months before me, and I worshiped him with an intensity that must have been both flattering and bewildering to the worshipee. I didn’t want to be like Harry; I wanted to be Harry. I cocked my coonskin cap exactly the way he did when we played Daniel Boone; I made the same pshew-pshew sounds he did when I pulled the trigger... see more
GOOD BROTHER, BAD BROTHER: EDWIN AND JOHN WILKES BOOTH
In the fall of 1864, with the Civil War well into its fourth year, the attention of most Americans was on Atlanta, where General Sherman, having captured the city, was resting his troops before their march to the sea. The attention of the New York theatrical community, however, was on the Winter Garden, where rehearsals were taking place for a special benefit performance whose proceeds would go toward erecting a statue of Shakespeare in Central Park, the vast public greensward that had opened seven years earlier. The benefit would mark the first time that the celebrated... see more