Rachel Kushner’s first novel, Telex from Cuba, was nominated for a National Book Award and reviewed on the cover of The New York Times Book Review. Her second novel, even more ambitious and brilliant, is the riveting story of a young artist and the worlds she encounters in New York and Rome in the mid-1970s—by turns underground, elite, and dangerous. The year is 1975 and Reno—so-called because of the place of her birth—has come to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity in the art world—artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro’s family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow. The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is Kushner’s brilliantly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination.
Added to Cart
Get our latest book recommendations, author news and sweepstakes right to your inbox
Reading Group Guide
The young and impressionable unnamed narrator of The Flamethrowers, occasionally referred to by other characters as “Reno,” grew up in that Nevada town, riding motorcycles with her rough and tumble cousins, and studied fine art at the University of Nevada. When she moves to New York in 1975 with little more than a camera, she finds a fast-paced downtown art world of makers, fakers, manipulators, lovers, and friends. She begins dating a golden boy of that world, Sandro Valera, an artist and wealthy heir to an Italian motorcycle fortune. For an art project, ‘Reno’ rides a Moto Valera in the land speed trials on the Bonneville Salt Flats. She is invited to travel with the Valera race team in Italy, but when she goes to Sandro’s ancestral estate to meet his family, she discovers a rift she can’t bridge, one that sends her spiraling through betrayal, and into a radical scene in Rome.
Topics & Questions for Discussion
1.Reno wants to create Land Art in the manner of iconic artists like Rober see more