Good in Bed

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For twenty-eight years, things have been tripping along nicely for Cannie Shapiro. Sure, her mother has come charging out of the closet, and her father has long since dropped out of her world. But she loves her friends, her rat terrier, Nifkin, and her job as pop culture reporter for The Philadelphia Examiner. She's even made a tenuous peace with her plus-size body.
But the day she opens up a national women's magazine and sees the words "Loving a Larger Woman" above her ex-boyfriend's byline, Cannie is plunged into misery...and the most amazing year of her life. From Philadelphia to Hollywood and back home again, she charts a new course for herself: mourning her losses, facing her past, and figuring out who she is and who she can become.
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  • Washington Square Press | 
  • 400 pages | 
  • ISBN 9780743418171 | 
  • April 2002
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Author Jennifer Weiner Wishes She Had This Talent

You fell in love with Cannie Shapiro, now meet Rose Feller in Jennifer Weiner's follow-up to the greatly loved GOOD IN BED!

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Chapter One

"Have you seen it?" asked Samantha.

I leaned close to my computer so my editor wouldn't hear me on a personal call.

"Seen what?"

"Oh, nothing. Never mind. We'll talk when you get home."

"Seen what?" I asked again.

"Nothing," Samantha repeated.

"Samantha, you have never once called me in the middle of the day about nothing. Now come on. Spill."

Samantha sighed. "Okay, but remember: Don't shoot the messenger."

Now I was getting worried.

"Moxie. The new issue. Cannie, you have to go get one right now."

"Why? What's up? Am I one of the Fashion Faux... see more

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Reading Group Guide

Reading Group Questions and Topics for Discussion
1. With Good in Bed, Jennifer Weiner has garnered a lot of early praise for her alternately hilarious and poignant dialogue, and also for her pitch-perfect ear in rendering the conversational rhythms of Cannie's first-person narrative voice. Looking back through the novel, what is it about the dialogue that works so well? In what ways does it serve to subtly develop each character's motivations and idiosyncrasies?
2. Discuss, in connection with the previous question, the specific tone and quality of Cannie Shapiro's voice. What techniques does Weiner employ to make Cannie's musings and descriptions come across so intimately? What sets the author's style apart from that of other contemporary authors? To which novelists would you say Weiner bears the closest comparison?
3. Cannie Shapiro is, among other things, a woman struggling to emerge from the shadow cast by her father's emotional abuse and aggressive abandonment. How successful is she, finally, in doing so?
4. In what ways do we see the painful legacy of Cannie's early relationship with her father (whom she dubs "the Original Abandoner") at work in the action of this novel, affecting the tenor of Cannie's relationships, choices, and/or motivations? To what degree can we view Bruce as a stand-in for her father?
5. "Maybe," Bruce writes in his notorious Moxie debut, "it was the way I'd absorbed society's expectations, its dictate see more

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