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The House at Sugar Beach
In Search of a Lost African Childhood  
This edition: Hardcover, 368 pages
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A poignant memoir of tragedy, forgiveness, and transcendence told with unflinching honesty and gentle humor

Helene Cooper is "Congo," a descendant of two Liberian dynasties -- traced back to the first ship of freemen that set sail from New York in 1820 to found Monrovia. Helene grew up at Sugar Beach, a twenty-two room mansion by the sea in a childhood filled with servants, flashy cars, a villa in Spain, and a farmhouse up country. It was also an African childhood, filled with knock foot games and hot pepper soup, heartmen and neegee. When Helene was eight, the Coopers took in a foster child, a Bassa girl named Eunice.

For years the Cooper daughters -- Helene, her sister Marlene, and Eunice -- blissfully enjoyed the trappings of wealth and advantage. But on April 12, 1980 a group of soldiers staged a coup d'etat, assassinating Liberian President William Tolbert and executing his cabinet. The Coopers and the entire Congo class were now the hunted, being imprisoned, shot, tortured, and raped. Helene, Marlene, and their mother fled Sugar Beach for America. They left Eunice behind.

A world away, Helene tried to assimilate as an American and discovered her passion in journalism, eventually becoming a reporter for the Wall Street Journal and the New York Times. She reported from every part of the globe -- except Africa -- as Liberia descended into war-torn, third-world hell. In 2003, a near-death experience in Iraq convinced Helene that Liberia -- and Eunice -- could wait no longer. At once a deeply personal memoir and an examination of a violent and stratified country to which her own family is inextricably linked, The House At Sugar Beach is the story of Helene Cooper's long voyage home.

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    1. Helene Cooper: House at Sugar Beach
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    2. Meet Helene Cooper
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"You must read Cooper's wildly tender memoir. It's that rarest of things, a personal story that transcends the people, the place, the world it is talking about and becomes a universal tale about the thousands of segregations, small and large, subtle and obvious, that shred all of us. It is beautifully written, utterly unself-conscious, and without a hint of self-pity. Cooper has an un-failing ear for language and a poet's tender heart. A powerful, important book that will teach you not only something about war and love, race and power, loss and hope, but also a great deal about yourself."
-- Alexandra Fuller, author of Don't Let's Go to the Dogs Tonight: An African Childhood and The Legend of Colton H. Bryant
"Helene Cooper's memoir is a remarkable page-turner: gripping, perceptive, sometimes hilarious, and always moving. Her keen eye, fierce honesty, and incisive intelligence open a window on war-torn Liberia, America, and the stunning challenge of a life that straddles these deeply intertwined societies."
-- Jeffrey D. Sachs, special adviser to UN Secretary-General Ban Ki-Moon and author of The End of Poverty
"The tragedy of Liberia -- the most American of all the African tragedies -- is brought painfully to life in Helene Cooper's memoir. Her work is an antidote to statistics and headlines and the blur of Africa's sorrows, a reminder that history and war proceed one family at a time, one person at a time. They are never abstract, always personal."
-- Arthur Phillips, author of Prague, The Egyptologist, and Angelica
"Rendered with aching nostalgia and wonderful language -- is a voyage of return, through which the author seeks to recover the past and to find that missing sister, even as the war deepens over the years to come. Elegant and eloquent, and full of news from places about which we know too little."
-- Kirkus (Starred review)
"Among Cooper's aims in becoming a journalist were to reveal the atrocities committed in her native country. With amazing forthrightness, she has done so, delivering an eloquent, if painful, history of the African migratory experience."
-- Ms. Magazine
"Masterly.... Nothing short of brilliant."
-- The New York Times Book Review
"There is tenderness in this memoir, and Cooper is clear-eyed even as she tells of her loss."
-- The New Yorker
"To understand what happened in Liberia is to understand what has happened in much of Africa, and Cooper tells it not like a seasoned journalist -- which is what she is -- but like a poet."
-- Entertainment Weekly
"Nearly three decades after fleeing Liberia, Cooper offers an indelible view of her homeland and makes palpable the pain that she felt when she lost it."
-- People