No more hymns to our faithlessness and deceit.
Apollo, god of song, lord of the lyre,
never passed on the flame of poetry to us.
But if we had that voice, what songs
we'd sing of men's failings, and their blame. History is made by women, just as much as men.
Medea has been betrayed. Her husband, Jason, has left her for a younger woman. He has forgotten all the promises he made and is even prepared to abandon their two sons. But Medea is not a woman to accept such disrespect passively. Strong-willed and fiercely intelligent, she turns her formidable energies to working out the greatest, and most horrifying, revenge possible.
Euripides' devastating tragedy is shockingly modern in the sharp psychological exploration of the characters and the gripping interactions between them. Award-winning poet Robin Robertson has captured both the vitality of Euripides' drama and the beauty of his phrasing, reinvigorating this masterpiece for the twenty-first century.
Reading Group Guide
1. Background of Euripides Medea
2. Table of Contents for Euripides Medea
3. Discussion questions for each section of Euripides Medea
4. Supplementary exercises
Background of Euripides Medea
Parts of the Greek Theater
Skene: located directly in back of the stage, and decorated as a palace, temple, or other building, depending on the needs of the play. It had at least one set of doors, and actors could make entrances and exits through them. There was also access to the roof of the skene from behind, so that actors playing gods and other characters could appear on the roof, if needed.
Orchestra: a circular space where the chorus would dance, sing, and interact with actors on stage near the skene.
Theatron: part of hillside overlooking the orchestra, which is where spectators sat.
Parodos: the paths by which the chorus and some actors (such as those representing messengers or people returning from abroad) made their entrances and exits. The audience also used them to enter and exit the theater before and after the performance.
Greek Theater Festival
Euripides presented Medea along with Philoctetes, Dictys, and the satyr play, Theristai, as his offerings in the playwright competition at the Dionysian F see more