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Return to Exile

Illustrated by John Rocco

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About The Book

ONE BOY. UNTOLD ENEMIES. A WHOLE WORLD TO SAVE.?IT'S GOING TO BE A LOOONG THREE DAYS.

Eleven years ago, a shattered band of ancient monster hunters captured an unimaginable evil and Phineas T. Pimiscule rescued his nephew, Sky, from the wreckage of that great battle. For eleven years, Sky Weathers has studied traps, puzzles, science, and the secret lore of the Hunters of Legend believing it all a game. For eleven years, Sky and his family have hidden from dark enemies while, unbeknownst to Sky, his uncle Phineas sacrificed everything to protect them.

For eleven years, Sky Weathers has known nothing of that day.

But on the eve of Sky's twelfth birthday and his family's long-awaited return to the town of Exile, everything changes. Phineas has disappeared, and Sky finds himself forced to confront the mysterious secrets he's denied for so long: why did his family leave Exile on that day so long ago? What, exactly, has Phineas been preparing him for? And, the biggest mystery of all, who is Sky really and why does everyone want to kill him?!

Featuring an action-packed plot that covers the gamut of every monster you've never heard of (not to mention weird powers and weapons made out of garbage), Return to Exile is brimming with boy and girl appeal and is a gem for reluctant young readers. And, with a diverse assortment of well-aged monster hunters in the cast, this series will be a hit with adults young and old as well.

Excerpt

Return to Exile CHAPTER 1 A Trap, Like a Good Story


A good trap is like a good story: hidden and leading toward one inevitable conclusion,” muttered Sky, checking his vines with a practiced delectation.

He dropped to the ground to get a closer look, his dirty black hair dragging through the dirt.

“Rule number two,” whispered Sky, brushing leaves over the vine, trying to make the pattern look random. “A good trap, like a good story, has to arise naturally from the environment. It has to be seamless. If the prey suspects what’s coming, they’ll bolt.”

Standing but still partially crouched, Sky shimmied behind the closest tree. He peeked out, surveying the forest for signs of life. Traces of fading sunlight slipped through the canopy above, moving across the earth like matadors with threadbare capes teasing and taunting the night onward. And the night—stupid thing that it was—kept taking the bait.

Just like Sky.

His stomach growled at the thought of bait. He’d eat some right now if he had any. The problem was, he’d already eaten it. He pressed his back against the tree, holding his stomach.

Didn’t his uncle know there were child labor laws to protect kids from this kind of thing? He must have set up a bazillion traps today, and still nothing. He was only eleven, for crying out loud! No, not eleven—twelve, actually. It was his birthday, after all, and an awful one at that. And yet nobody seemed to care. He’d been wandering the woods all day, hungry, alone, and with nothing to look forward to, except for yet another horrible move.

He was getting tired of it. He pulled out his yo-yo and practiced a few tricks: pinwheel, double or nothing, rock the baby. Just as he was slipping into a Ferris wheel, he heard it—

SNAP. “AARGH!”

He flipped his yo-yo into his pocket and raced west toward the sound.

“Yes, yes, yes, yes, YES!” He ran into the broad clearing and saw Uncle Phineas hanging by his ankle on the clearing’s edge. “HA! Goulash for you!”

His uncle smiled down at him.

“Yes, yes, well played. I get goulash for your birthday party tonight, and you get leftover pizza. Bully for you. Now, if you wouldn’t mind cutting me down?” said Phineas.

Sky walked toward the tree that served as the linchpin of the trap, laughing. “You mess with the best, you hang like Aunt Tess.”

“That was your great-great-aunt Tess, and she wasn’t hung. She was drawn and quartered,” said Phineas.

“Same dif,” said Sky, searching through the jumble of vines to find the primary link.

“Only in that your bowels void in both situations. Though I assure you one is much messier than the other,” said Phineas.

“Really? Which one?”

“I’ll leave that for your overactive imagination to puzzle out,” said Phineas as he swung back and forth, back and forth.

“That’s the third rule of trap building, right? A trap,” said Sky, trying to imitate his uncle’s not-quite-British I’ve-been-in-America-too-long accent. (Clear throat.) “A trap, like a good story, needs to hint at greater things without revealing them until the prey is snared.”

“Spot on, though your imitation could use some work,” said Phineas.

“You can add vocal coaching to my curriculum right after botany,” said Sky, “since you seem intent on boring me to death.”

Sky found the main vine and started tracing it through the jumble. This was a particularly complex trap that used all the fundamentals of trap building: direct and misdirect, attract and repel, lure and snare—all the things his uncle had taught him over the years.

“Botany could well save your life one day, you know,” said Phineas, “if you’d only read all the books I gave you and not just the ones you like.”

“Pshaw,” said Sky. “If the day ever comes that I need botany, I’ll eat the goulash—a whole pot of it.”

“I don’t think goulash is healthy for a body in the throws of rigor mortis…. Actually, I think goulash may cause rigor mortis, but if you promise to eat it, I’ll see to it that you have some in your hour of need,” Phineas replied. “It might make a good side dish to your words.”

“Ha, ha. Eat my words. I get it. It’s a word puzzle, like an acrostic or an anagram, but not as clever,” said Sky sarcastically as he gave up on the vine he’d been working on and started tracing another.

Phineas smiled. “It was very clever of you, Sky, using a triple trolley—or the troll snatcher, as Sir Alexander Drake used to call it before he was brutally murdered.”

“You don’t have to call it the ‘troll snatcher,’ Uncle Phineas; I’m twelve now, all grown up. I know there are no trolls to snatch,” said Sky.

“Which reminds me . . . ,” said Phineas, wiggling around like a prize marlin. A small wrapped box fell from his tattered frock coat. “Happy birthday.”

Sky let go of the vine he’d been playing with and crossed the open space between them to pick up the box.

“Well, go on! Open it!” said Phineas, smiling down at him, his strange monocle fastidiously clinging to his face despite all the laws of physics. He’d worn the monocle for as long as Sky could remember. It was dark, strange and thick, like a jeweler’s monocle, with retractable hooks that fit over the nose and ear.

Sky shook the box.

“But . . . aren’t you going to be at my party tonight?” asked Sky, suddenly worried.

“Of course. I know I haven’t been around as much of late, but I’ve never missed it before, have I?” replied Phineas. Sky felt measurably better. He couldn’t imagine a party without Phineas.

“I’m giving this to you now because this is one gift best given in private,” Phineas supplied, answering Sky’s next question before he could ask it. “Well, go on!”

Grinning, Sky ripped off the wrapping paper and opened the box. Inside he found an antique pocket watch, similar in style to the monocle his uncle wore, but lighter, sort of grayish.

“Your watch?” said Sky, surprised. He flipped it open, watching as the numerous dials ticked and the moon made its way around the edge like a peddler looking for a place to push his wares. Phineas had tried to show him how to read it once, but he’d never figured it out.

After a moment the dials settled down and the moon took its place in the night, full and heavy—just like the moon overhead. “It’s amazing! Thank you.”

“She’s old, but she keeps good time,” said Phineas. “The great monster hunter Solomon Rose and I once argued over whether or not the moon ran by her or the other way around. You share a birthday with him, you know, both born under the Hunter’s Moon.”

“Solomon Rose? The greatest monster hunter of all time? Died more than four hundred years ago—and you claim he argued with you over this watch? I find that hard to believe,” said Sky.

“I argued with him, actually. And just because you find it hard to believe doesn’t mean it’s not worth believing,” said Phineas. “Sometimes the hardest things to believe are the only things worth believing at all.”

Sky closed the watch and started to put it away. He paused, noticing an etching on the back: a white eye, like two crescent moons pressed at the tips, set deep into the metal. He raised his left hand, comparing the etching to the birthmark on his palm; they were identical.

His white birthmark had always felt so strange to him, like paper held too close to a candle, not yet burning, but destined for ash. Another mark, black and gruesome, surrounded the first with the two crescent moons running vertically from fingers to wrist. He called this second mark his cicatrix, or just “trix” for short, because it reminded him of an unhealed wound. Whereas the birthmark felt hot, the trix felt cold, shifting, and sometimes brittle, like it might burst open at any moment.

The watch didn’t have the trix, but there was no mistaking the birthmark.

“You did this?” asked Sky, showing Phineas the etching on the watch.

“Not me. That etching was done a long, long time ago. Centuries ago, in fact,” said Phineas.

Sky smirked. “Yeah. Uh-huh.”

“It’s true, Sky! Your birthmark—it’s special. It’s the Hunter’s Mark, not seen since Solomon Rose himself.”

“Really?” said Sky, not taking Phineas seriously, but wanting to. “So where’s the trix, then? I assume it’s special too?”

“Not particularly,” said Phineas, his expression unreadable.

Something in the back of Sky’s mind seemed to growl as if upset—a peculiar sensation that usually ended with him in trouble. Over the years, he’d come to call this unpredictable sensation his “little monster.” His sister assured him it was completely abnormal, and probably terminal—perhaps an incurable disease eating away at his brain or, even worse, early onset puberty (if there was, in fact, a difference between the two).

He didn’t think it was abnormal, but having never been inside a normal person’s head, he couldn’t be certain.

The sensation didn’t really bother him—in fact, quite often it was the only friend he had—but sometimes it could get on his nerves.

Feeling uneasy, though he couldn’t explain why, he ignored the sensation and grabbed the next vine.

“Sky, do you remember the poem from The Evil Echo of Solomon Rose?” asked Phineas, swinging, his face turning as red as a turnip as blood continued rushing to his head.

“Er . . . not particularly,” said Sky. “Something about evil echoes and gloaming? I’m not really sure.” The Evil Echo of Solomon Rose was his favorite story. He knew the poem, though perhaps not as well as he should. He tended to skip poems when he read, but what was he supposed to do when so many of them droned on endlessly and made no sense whatsoever?

Besides, it’d been almost a year since he’d read it…. Well, since he’d read anything, really.

“You should know this poem backward and forward by now, for how many times you’ve read it,” rebuked Phineas. “I’ve seen the book. It’s all ragged and abused.”

“I know, I know,” said Sky, “but maybe you should tell me the poem to help me remember.”

Sky preferred hearing Phineas recite the poems anyway. His accent and old-world charm—magnified by the frock coat and monocle—gave the poems a portentous air. Plus, Phineas was hanging upside down and looked like a beet; in Sky’s opinion, it didn’t get much funnier.

“All right, then—but just this once!” said Phineas.

Just this once had happened many times before.

Phineas began:

The evil echo came, a gloaming in the dark,

’pon belly bowering and crawing for the Mark,

to Solomon Rose the same, who sang the names of yore,

and with it brought his evil forth, a gibbering from the moor.

My branches shook and writhed, and standing did I shriek,

“Why callest thou me, thou thawing thorn? What sorrows dost thou seek?”

Old Solomon shook and shivered, but dreaming of Lenore,

’pon his evil he shed his mind, and cast it in the gore.

“I’m Solomon,” he said, “and my servants you shall be,

till earth and sky begin to shake,

and the sieves of time begin to seep.”

Then he found us, and bound us,

and sent us off to dream,

till finally watchful waiting, our senses fading,

his evil echo slithered off to sleep.

Phineas finished, and the grove filled with a weighty silence.

Sky knew all about the Echo. They weren’t popular like vampires and werewolves, monsters that—according to his uncle—had been a little too popular and had been hunted to extinction as a result.

Phineas claimed (and Sky doubted) that dozens of different kinds of monsters, like the Echo, survived still—monsters that were far cleverer, far better at hiding, far stronger, and far more terrifying than vampires and werewolves.

The Evil Echo of Solomon Rose described the various Echo as vaguely treelike, with large black leathery wings that folded out of their trunk-ish bodies. Their branchy arms could be as inflexible as iron one moment, and as slithery as tentacles the next, and when the wings spread out, the branches swept downward into a rickety protective shell. Or, if the Echo chose, the wings spread outward like writhing spears to flay and terrify those below. A tree one instant, a nightmare with wings the next.

Great pupil-less white eyes ran half the length of the trunk—eyes that Solomon Rose gouged out, one by one, when the Echo refused to follow him against a monster he claimed would destroy the world. Robbed of their sight, the Echo began to “see” through highly sensitive organs in their branches and mouths—tasting the scents, sights, and emotions around them.

Echo kept to themselves, hiding in the old, dark forests of the world. Tangled roots spread deep, deep beneath them, clinging to the roots of other Echo like children holding hands, and they spent days and nights lost in a haunting sort of collective dream.

According to the Echo narrator of The Evil Echo of Solomon Rose, breaking an Echo from its roots ended the dream, effectively exiling the Echo, and was one of the cruelest things that could happen; it was also one of the best, because a rooted Echo couldn’t fly, and flying, as the narrator claimed, was a dream worth waking up for.

“The Mark in the poem is the Hunter’s Mark,” said Phineas.

“Are you sure about that?” Sky appreciated his uncle’s efforts to tell a good story, but honestly . . . “Are you sure it isn’t just a terrible paper cut? Or maybe a stick caught Solomon in that moor—left a nasty mark on his cheek—big red welts all swollen and puffy . . . just horrible.”

“I know the kind,” said Phineas. “I suspect I may have one just like it around my ankle.”

“I am here to serve.” Sky swooshed a tangled vine in front of him and bowed mockingly from his knees, like an actor taking full credit for a mediocre performance. “And I’m twelve now. I can do without all the lessons.”

“I think I may still have a lesson for you,” said Phineas. “A grape might become a raisin, and taste the sweeter for it, but even a raisin will rot on the vine, if you do nothing for it.”

“You just rhymed ‘for it’ with ‘for it,’” said Sky.

“So?”

“That’s atrocious—just dreadful really,” said Sky, mimicking his uncle; maybe he couldn’t mimic his uncle’s accent very well, but the words were easy enough. “You could’ve just said you wanted down. You didn’t have to bore me with a poem.”

“Ah, but can’t a poem have more than one meaning?” asked Phineas. “Perhaps I was making the important points obvious to illustrate a point.”

Sky followed one of the vines across the ground, pulling it from the earth. “Hold on. I almost have it.” It seemed to be leading him toward the next tree, but for some strange reason he couldn’t remember laying it. Of course, he’d laid so many today it was hard to keep track.

“You know,” said Phineas, “the triple trolley really was brilliant. The only thing I can think of to top it would be the quadruple quandary—”

Sky stopped suddenly, the vine taut in his hands.

“No—” But he didn’t get any further. The coil under him snapped closed around his ankle, dragging him into the air. Uncle Phineas started laughing and clapping his hands together.

As Sky rose upward, Phineas gently descended to the ground. Phineas undid the coil around his ankle and crossed to stare up at Sky.

“How do you like my poetry now?” asked Phineas.

“You meant ‘for’ as in ‘four’ . . . as in quadruple—as in quadruple quandary,” said Sky. “You were giving me a clue.”

“Quite so,” said Phineas. “You really should pay more attention to poems.”

“You tricked me,” accused Sky as he swung in the air.

“Of course I did. If I didn’t trick you, it wouldn’t be a trap,” said Phineas. “Use your heart. Understand. Learn to see things in the now, not as they were or will be, or as they might or should be, but as they are, right now, in this moment. The heart sees the now; the mind only sees the next. If you can’t learn to see the now, you’ll never see what’s truly there, and then where will you be?”

“Trapped,” said Sky.

“Precisely. But if you take care of the now, the future will work out as it should. Rule number four: A trap, like a good story, pretends to be something it’s not until the very end.” Phineas turned and started walking away.

“But that’s the same as rule number one!” Sky exclaimed.

“Maybe if I say it twice, you’ll remember,” Phineas called over his shoulder.

“Where are you going?” cried Sky, beginning to feel nervous.

“You’re moving to Exile tonight, remember?” Phineas prodded. “Some of us don’t have time to hang out.”

Sky groaned. The pun was bad enough, but did he have to bring up moving?

“Wait,” said Sky, suddenly realizing something. “Aren’t you coming with us?”

“If things turn out as I hope, we’ll finally be neighbors!” chirped Phineas, sounding more excited than he’d sounded in a long time. “See you back at the house for your party—and goulash! Happy birthday, Sky!”

Phineas laughed, quickening his pace. But when he reached the far edge of the clearing, Sky saw him slow down, and then stop. For a second he wondered if Phineas would let him down after all, but Phineas just stood there staring into the far woods, as silent as the approaching night.

Phineas turned around, and Sky could see his face in the half-light. Phineas’s smile had disappeared, and he looked grim, almost frightened. He removed his monocle, dusting it with a handkerchief before returning it to his eye, and then he spun around and ran off into the gathering darkness.

For a moment it almost seemed to Sky as if the deepening shadows followed after him, terrible and menacing. Something long and silvery flashed in Phineas’s hand, and then he was gone.

Sky shook himself. Too much blood in his head—that was the problem. Couldn’t see straight. He’d thought Phineas might come back for him, but then . . .

Well, not coming back after all. It was just like him. Always disappearing when Sky needed him.

Sky swung slowly back and forth, back and forth. He was hungry, alone, and he had nothing to look forward to except goulash and a move. And now he was trapped. This was definitely, hands down, bar none his worst birthday ever.

About The Author

Photograph © Alicia Westra Photography

E.J. Patten was born Arizona and grew up with a love of stories, thanks to his parents’ ownership of a video store. He received a BA in Media Arts and an MBA from Brigham Young University, and he lives with his wife and three children on a small hill overlooking a large lake in a Utah town.

About The Illustrator

Product Details

  • Publisher: Simon & Schuster Books for Young Readers (September 6, 2011)
  • Length: 512 pages
  • ISBN13: 9781442420328
  • Grades: 3 - 7
  • Ages: 8 - 12
  • Lexile ® 800L The Lexile reading levels have been certified by the Lexile developer, MetaMetrics®

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Raves and Reviews

"A complex tale brimming with imagination." --Brandon Mull, New York Times best selling author of the Fablehaven and Beyonders series

"Return to Exile marks the beginning of a remarkable new series. I loved the characters, and its originality and intensity kept me ripping through the pages. A stunning book." --James Dashner, New York Times best selling author of The Maze Runner and The Scorch Trials

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More books from this author: E. J. Patten

More books from this illustrator: John Rocco

More books in this series: The Hunter Chronicles