In the sibling relationship, “there are no first impressions, no seductions, no getting to know each other,” says Denise Kranis. For her and her brother, Nik, now in their forties, no relationship is more significant. They grew up in Los Angeles in the late seventies and early eighties. Nik was always the artist, always wrote music, always had a band. Now he makes his art in private, obsessively documenting the work, but never testing it in the world. Denise remains Nik’s most passionate and acute audience, sometimes his only audience. She is also her family’s first defense against the world’s fragility. Friends die, their mother’s memory and mind unravel, and the news of global catastrophe and individual tragedy haunts Denise. When her daughter, Ada, decides to make a film about Nik, everyone’s vulnerabilities seem to escalate.
Dana Spiotta has established herself as a “singularly powerful and provocative writer” (The Boston Globe) whose work is fiercely original. Stone Arabia—riveting, unnerving, and strangely beautiful—reexamines what it means to be an artist and redefines the ties that bind.
Added to Cart
Read an Excerpt
She always said it started, or became apparent to her, when their father brought him a guitar for his tenth birthday. At least that was the family legend, repeated and burnished into a shared over-memory. But she did really think it was true: he changed in one identifiable moment. Up until that point, Nik’s main occupations had been reading Mad magazine and making elaborate ink drawings of dogs and cats behaving like far-out hipsters. He had characters—Mickey the shaggy mutt who smoked weed and rode motorcycles; Linda the sluttish afghan who wore her hair hanging over one eye; and Nik Kat, his little alter ego, a cool cat who...see more
Get our latest book recommendations, author news and sweepstakes right to your inbox