Cuba has long fascinated and compelled writers -- from Ernest Hemingway and Graham Green to Gabriel Garcia Marquez and Russell Banks. Most writers and readers know about the glamorous, renegade, romantic, often corrupt communities of expats and iconic locals in Havana. But there's another piece of the American experience. For half a century, the United States controlled the sugar and nickel operations in Cuba -- the country's two main exports -- centered in the lavish, expatriate "sister" enclaves of Preston and Nicaro, 600 miles east of Havana, but intimately connected.
The United Fruit Company owned 300,000 acres in northeast Oriente Province, an area long considered the cradle of Cuban revolutions. In the midst of UF Co's vast cane plantation were 100 acres the company did not own. Those 100 acres belonged to Fidel and Raul Castro's father. The sons, who grew up excluded from a privileged American world, started the revolution there. Telex from Cuba
is the story of that world, told from the point of view of three narrators: a boy whose father runs United Fruit's sugar operation, a girl whose father runs the nickel operation, and a French agitator who helps train the rebels.
Like every great novel told through the eyes of a child, from Harper Lee's To Kill a Mockingbird
to Khaled Hosseini's The Kite Runner
, Telex from Cuba
seduces the reader into the drama of a family encountering unexpected conflict and the story of the gradual awakeni