To her family, Natalie Seebring is a woman who prizes appearances. She is exquisitely mannered, socially adept, a supportive wife, and head of a successful wine-producing enterprise. So when she announces plans to marry a vineyard employee mere months after the death of her husband of fifty-eight years, her son and daughter are stunned. Faced with their disapproval, Natalie decides to write a memoir. There is much that her children don't know about her life -- about her love of the vineyard, her role in fighting to build it up, and the sacrifices she made for her family.
Olivia Jones is a dreamer, living vicariously through the old photographs she restores. She and her daughter, Tess, have no one but themselves, so they cling to the fantasy that a big, happy family is out there somewhere, just waiting to welcome them home. When Olivia is hired by Natalie to help with her memoir, a summer at Natalie's beautiful vineyard by the sea seems the perfect opportunity to live out that fantasy -- an elegant home by the shore, a salary that allows her to hire a tutor for her dyslexic daughter, a job that is creative, hours spent with a woman who has led a charmed life.
But all is not as it seems, Olivia and Tess discover when they arrive at Asquonset, the vineyard in Rhode Island. While welcoming, Natalie is not quite the mothering type, as is quickly evident in the hostility her daughter and son have toward her -- it's a hostility that Olivia must buffer. Another dose of stark reality comes in the form of Simon Burke, who runs the vineyard's day-to-day operation and sees in Olivia and Tess an unwelcome reminder of the wife and daughter he tragically lost. And then there is the cruel reality of Olivia's own life -- the mother who never wanted her, and a career that has floundered.
Natalie's story, intended for her own children, enlightens Olivia as well. The lives of these two women of different generations, parallel in so many ways, become, in The Vineyard, a powerful and moving story as the fantasy of an idealized life, complete with perfect romance, crashes headlong into reality.
Read an Excerpt
On what had begun as just another June day in Manhattan, Susanne Seebring Malloy returned to her Upper East Side brownstone after lunch with friends to find a saffron yellow envelope in the mail. She knew it was from her mother, even without the vineyard logo in the upper left corner or her mother's elegant script in the address. Between the Asquonset, Rhode Island, postmark and the scent of Natalie's trademark freesia, there was no doubt at all.
Susanne stepped out of her Ferragamos and curled her toes in dismay. A letter from her mother was the last thing she needed. She would look at it later. She was feeling hollow... see more
Reading Group Guide
1.) Natalie's story is interwoven throughout the novel in the form of recollections -- memories that later come into question when her children read her story. Discuss the power of personal memories; how can they vary so drastically from one family member to another? Can you always trust your memories -- or do we all revise and alter our memories one way or another?
2.) Which qualities make Olivia a good person to help Natalie write her memoirs? Her natural curiosity? Her fascination with the intricacies of family dynamics? Does the absence of Olivia's own family history help or hinder this process?
3.) At first, Tess and Simon find themselves at odds with one another. Is this because Tess reminds Simon of the daughter he lost? Does Tess sense and subsequently feel threatened by the growing attraction between Olivia and Simon? Are Tess and Simon more alike then different -- outsiders in a world filled with people who do not understand their pain?
4.) How is Olivia affected by her realization that the Seebrings aren't the perfect family she envisioned? Is Olivia disappointed by the choices Natalie made to save the vineyard? How practical were Olivia's expectations when she arrived at the vineyard? Is she realistic when she hopes that the Seebrings might become a pseudo-family?
5.) Natalie and Olivia discuss the legitimacy of the expression "blood is thicker than water." (ms. p. 27 see more